[et_pb_section fb_built=”1″ _builder_version=”4.23″ _module_preset=”default” background_enable_color=”off” background_enable_image=”off” custom_padding=”10px||10px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.23″ _module_preset=”default” min_height=”102px” custom_margin=”||||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][dsm_text_divider header=”SEMINARS” text_alignment=”left” color=”#131217″ _builder_version=”4.23″ _module_preset=”default” header_level=”h1″ custom_padding=”||80px||false|false” header_font_size_tablet=”26px” header_font_size_phone=”20px” header_font_size_last_edited=”on|phone” custom_css_after=”content: %22%22;|| display: block;|| position: absolute;|| width: 1px;|| height: 70px;|| bottom: 0;|| left: 30px;|| background-color: #131217;” global_colors_info=”{}”][\/dsm_text_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.23″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” gutter_width=”2″ custom_padding_last_edited=”on|tablet” _builder_version=”4.23″ _module_preset=”default” custom_padding=”10px||||false|false” custom_padding_tablet=”20px||||false|false” custom_padding_phone=”20px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][et_pb_accordion closed_toggle_background_color=”#ffffff” toggle_icon=”3||divi||400″ icon_color=”#111111″ use_icon_font_size=”on” icon_font_size=”22px” _builder_version=”4.23″ _module_preset=”default” toggle_level=”h2″ toggle_font_size=”18px” hover_enabled=”0″ border_color_all=”#111111″ global_colors_info=”{}” toggle_font_size_last_edited=”on|tablet” sticky_enabled=”0″ toggle_font_size_tablet=”16px” toggle_font_size_phone=”16px”][et_pb_accordion_item title=”Documentary Theatre” open=”on” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Director Anestis Azas taught the Documentary Theatre seminar. The term refers to the dramatization of historical events. The participants were asked to carry out research in order to collect the historical and informative material, ascertain its reliability, compare its sources and synthesize it into a single project.<\/p>\n
September, 2022<\/em><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”The rules of a successful Audition” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n Casting director Makis Gazis delivered a seminar on the process and rules of a successful audition.<\/p>\n September, 2022<\/em><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Flowing Through” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n Director and actress Stefania Goulioti taught the Flowing Through method, which she works on and develops herself. In the course, the following issues were explored: How do we listen instead of pretending to listen? How do our psyche and behavior \u201cmove\u201d and \u201cprogress\u201d in coexistence with the other? How do the other and its impulse and behavior become the fuel to move forward? How can we be unpredictable without losing control? How do we trust and let the impulse guide us?<\/p>\n October, 2022<\/em><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Operetta” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n Composer Charalambos Gogios and director Alexandros Efkleidis coordinated the seminar of musical theatre Operetta. The aim of the seminar was to remove all the trappings of stereotypical, mechanical or guild approaches from musical theatre and present it to the students as one, among others, of the fields of interpretation and creation that constitute the art of theatre.<\/p>\n June \u2013 July, 2022<\/em><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”The Pulsating Actor” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n Actress Alexandra Kazazou taught a seminar on the marriage between physical precision and the pulsating performer, based on the principles of the Grotowski method and her years of study and practice in the groups Song of the Goat Theatre and Studio Matejka groups at the Grotowski Institute.<\/p>\n July, 2022<\/em><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Body and Object” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n The seminar of the choreographer Giota Kallimani went through three different stages. The first was the preparation of the bodies. The second was the transformation of the actor\u2019s body into the body of another person and\/or object. Finally, this was followed by research on how the body as an expressive medium gives substance to the object, how it reduces it to an immaterial\/poetic entity and converses with it. How does our body become the body of another? How does one become someone else, drawing inspiration from the films, texts, paintings and images of the past?<\/p>\n June, 2022<\/em><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Theatre and Orality” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n Director and actor Akyllas Karazisis explored the way in which the written word is transferred to spoken word, and the way in which actors can produce texts through personal narratives. Students were asked to narrate personal stories\/experiences of their lives (e.g., how they chose to become actors, their family history, etc.), which during the course they turned into a written text, which they re-worked. They presented the texts orally and then transcribed them as writers.<\/p>\n September, 2022<\/em><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Poetic Speech and Musicality” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n During this seminar, Rinio Kiriazi (actress, director) combined the methods of Mirka Gementzaki, Kristin Linklater and Roy Hart. The main axes of the exercises were focused on the breath of music and speech.<\/p>\n June \u2013 July, 2022<\/em><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Choro-graphy” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]Set designer Eva Manidaki brought the participants in contact with the basic principles of set design, the composition of space and the building of a character\u2019s image through short exercises, in order to explore how to tell a story through non-verbal means. In the second cycle of the workshop, experience and knowledge were expressed on theatre texts.<\/p>\n October, 2022<\/em>[\/et_pb_accordion_item][et_pb_accordion_item title=”Tools of the Comedian” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n Actress and director Sophia Marathaki delivered a seminar entitled Tools of the Comedian. The participants dealt with the questions: What is comic? What is humor? What is self-satirizing? World dramaturgy from antiquity until today has given birth to texts of unsurpassed poetry, beauty and brilliance with a comic focus. The texts of Aristophanes, Shakespeare, Lope de Vega, Moli\u00e8re, Gogol, Chekhov, Ionesco, Goldoni, Kapetanakis, Peresiadis, the scripts of Monty Python, Chaplin, Woody Allen, the Marx brothers, Commedia del Arte or Karagiozis are proof of the timeless dynamics of comedy. But at the opposite end of the spectrum, in tragedy, urban drama or the theatre of the absurd (Euripides, Beckett, Ibsen, Chekhov, etc.), the comic element comes to give prominence to the tragic element through its antithetical function.<\/p>\n June, 2023<\/em><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Theatre Directing: Connection with the Labor Market” _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n Dramaturg and director Nikoleta Filosoglou delivered a seminar about the connection between the students and the financial terms in the field of Greek state stages (Athens Epidaurus Festival, grants by the Ministry of Education, etc.) and of the private sector of the theatre market. During the meetings, the students worked with budget templates, got introduced to the process of starting their own non-profit theatre company \u2013 AMKE, to theatre production grant applications, to the preparation of directing proposals, timelines and to the preparation of private agreements before the beginning of rehearsals.<\/p>\n March, 2023<\/em><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"SEMINARS<\/span><\/h1>\n\t\t\t\t